<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:ymaps="http://api.maps.yahoo.com/Maps/V2/AnnotatedMaps.xsd">

<channel>
	<title>Your Theatre Company &#187; jazz</title>
	<atom:link href="http://www.yourtheatrecompany.com/tag/jazz/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.yourtheatrecompany.com</link>
	<description>poetic theatre,open source,collaboration,beats,electronic music,synth,poetry</description>
	<lastBuildDate>Wed, 19 Aug 2009 23:44:05 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.8.4</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>Reviews From Scotland (the famous EDFringe)</title>
		<link>http://www.yourtheatrecompany.com/2009/01/23/reviews-from-scotland-the-famous-fringe/</link>
		<comments>http://www.yourtheatrecompany.com/2009/01/23/reviews-from-scotland-the-famous-fringe/#comments</comments>
		<pubDate>Fri, 23 Jan 2009 19:41:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[ambience]]></category>
		<category><![CDATA[Beats]]></category>
		<category><![CDATA[British review]]></category>
		<category><![CDATA[festival]]></category>
		<category><![CDATA[fringe]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[rap]]></category>
		<category><![CDATA[Scotland]]></category>

		<guid isPermaLink="false">http://www.yourtheatrecompany.com/?p=15</guid>
		<description><![CDATA[Small excerpt from a critic,
The music, which never threatens to swamp the words but is more suggestive ambience, alludes to the poetry&#8217;s roots in the Beats, jazz and rap, setting the scene for the action in bars and on street corners.
David pollack from The Scotsman also says  &#8220;Tabloid headlines, race, sexuality and gender politics. It&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p>Small excerpt from a critic,</p>
<p>The music, which never threatens to swamp the words but is more suggestive ambience, alludes to the poetry&#8217;s roots in the Beats, jazz and rap, setting the scene for the action in bars and on street corners.</p>
<p>David pollack from The Scotsman also says  &#8220;Tabloid headlines, race, sexuality and gender politics. It&#8217;s a tantalizing show&#8230;&#8221;<span id="more-15"></span></p>
<p><a href="http://www.britishtheatreguide.info/otherresources/fringe/fringe08-50.htm#B" onclick="pageTracker._trackPageview('/outgoing/www.britishtheatreguide.info/otherresources/fringe/fringe08-50.htm_B?referer=');">Click here</a> for the full review.</p>
<p><img src="http://www.yourtheatrecompany.com/wp-content/uploads/2009/01/fringelogo11-200x88.jpg" alt="fringe logo" width="120" height="53" /></p>
]]></content:encoded>
			<wfw:commentRss>http://www.yourtheatrecompany.com/2009/01/23/reviews-from-scotland-the-famous-fringe/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
